02 May 2023

THE BIG CAT PEOPLE PODCAST, SERIES 1 • OUR STORY: BECOMING THE BIG CAT PEOPLE

The Big Cat People Podcast enterprise commenced in February with the essential encapsulation of the wild journey of Jonathan and Angela Scott in Africa, in the untamed paradise of Maasai Mara in Kenya. After a little more than one decade of the completion of the journey of BBC Natural History Unit's magnum opus, Big Cat Diary, Scott goes on to recapitulate the picturesque details of their orientation as photographers, writers, television presenters, and most importantly, as chroniclers of conservation. When one is engaged in ruminating his journey solely through the auditory wavelength, it turns out to be absolutely difficult to concentrate on the subjects in a unifocal way—harmonious coordination of words and memories so that they can be the reliable grapplings of anecdotes. Feeling really enchanted to chronicle the decapartite first series of The Big Cat People Podcast, entitled "Our Story: Becoming the Big Cat People."


EPISODE 1: IN SEARCH OF AFRICA

From the keynote of Jonathan Scott:

Welcome to The Big Cat People podcast! We're Jonathan and Angela Scott, award-winning wildlife photographers, authors and conservationists. We have made our name documenting the lives of lions, leopards and cheetahs in the Maasai Mara National Reserve in Kenya. Today's episode will be the first in a ten-part series named "Our Story: Becoming the Big Cat People." This first episode is named "In Search of Africa," and we'll be sharing how a young English boy ended up in Africa realising his dream of working with wildlife.

  This podcast series is a continuing effort to educate and inspire our audience. If you'd like to learn more about us, or to check out our latest collection of educational ebooks, please visit our website: www.bigcatpeople.com



EPISODE 2: AFRICA, MY HOME

From the keynote of Jonathan Scott:

Welcome to The Big Cat People podcast! We're Jonathan and Angela Scott, award-winning wildlife photographers, authors and conservationists. We have made our name documenting the lives of lions, leopards and cheetahs in the Maasai Mara National Reserve in Kenya. Today's episode will be the second in a ten-part series named "Our Story: Becoming the Big Cat People." This episode is named "Africa, My Home." Having arrived in Johannesburg at the end of my four-month-overland trip from London I was determined to stay. I sold my onward ticket by boat from Cape Town to Sydney in Australia but hated life in apartheid South Africa. I realized that there were three options for someone intent on doing something with wildlife. I could follow a scientific career in zoology. But that would ultimately resign me to teaching at university with less time in the field. Instead, I could train as a safari guide or run a camp or lodge to satisfy my urge to live in the bush. Or-and this seemed the most attractive-pursue my love of drawing, become a wildlife artist and nurture my interest in photography. That would allow me to spend time among big cats and earn a living. I dabbled in all three options at one time or another and after visiting with Tim and June Liversedge on their houseboat in the Okavango Delta in Botswana, I determined to make a living selling my pen and ink drawings and head back to East Africa - the savanna Africa that I had fallen in love with and where I wanted to make my home.

  This podcast series is a continuing effort to educate and inspire our audience. If you'd like to learn more about us, or to check out our latest collection of educational ebooks, please visit our website: www.bigcatpeople.com



EPISODE 3: THE MARSH LIONS

From the keynote of Jonathan Scott:

Welcome to The Big Cat People podcast! We're Jonathan and Angela Scott, award-winning wildlife photographers, authors and conservationists. We have made our name documenting the lives of lions, leopards and cheetahs in the Maasai Mara National Reserve in Kenya. Today's episode will be the third in a ten-part series named "Our Story: Becoming the Big Cat People." This episode is named "The Marsh Lions." After two years in Botswana, I travel overland back to Kenya and meet up with an old friend from my university days, Paul Pavlides. Paul introduces me to Jock Anderson who manages Mara River Camp nestled along the Mara River just outside the boundary of the Maasai Mara National Reserve. In January 1977, I head for the Mara to realise my dream of living among Africa's spectacular wild creatures: after all the Mara is a predator's paradise. The deal is no pay but the free board and lodging and the chance to learn to become a safari guide accompanying visitors on daily game drives. I am overjoyed at this opportunity. My mentor is a safari guide called Joseph Rotich, known to one and all as Bwana Chui - "Mr Leopard" in Swahili - due to his uncanny ability to find the most elusive of all the big cats. Joseph teaches me how to see - how to read the signs that can reveal where a predator might be hiding. He introduces me to the pride of lions that I later name the Marsh Lions and I begin to record every detail of their lives in notebooks filled with drawings and photographs.

  In 1982, five years after coming to live in the Maasai Mara, The Marsh Lions: Story of an African Pride (1982) is published, co-authored with the journalist Brian Jackman, illustrated with my pen and ink drawings and photographs and based on events recorded in my diaries. I make my first appearance on television when I am featured on Nature Watch hosted by Julian Pettifer. The Marsh Pride make headlines in the film Ambush at Maasai Mara in the series Wildlife on One for the BBC. This heralds the beginning of a forty-year relationship with the BBC Natural History Unit in Bristol.

  This podcast series is a continuing effort to educate and inspire our audience. If you'd like to learn more about us, or to check out our latest collection of educational ebooks, please visit our website: www.bigcatpeople.com



EPISODE 4: WILD KINGDOM

From the keynote of Jonathan Scott:

Welcome to The Big Cat People podcast! We're Jonathan and Angela Scott, award-winning wildlife photographers, authors and conservationists. We have made our name documenting the lives of lions, leopards and cheetahs in the Maasai Mara National Reserve in Kenya. Today's episode will be the fourth in a ten-part series named "Our Story: Becoming the Big Cat People." This episode is named "Wild Kingdom." I reflect on two pivotal events that occurred in early 1977 just after I had come to live at Mara River Camp - Kenya banned trophy hunting and the sale of all wildlife products, and the President of Tanzania, Julius Nyerere, closed the border with Kenya that did not reopen until 1983. This would see the Maasai Mara become the jewel in Kenya's tourism industry, leading to the proliferation of camps and lodges that today has reached crisis point. There are now 200 tourism facilities in and around the Reserve.

  People often ask how I came to be a television presenter. It wasn't to become famous. It was because I was doing something that people found interesting; I was passionate about wildlife and spent every minute I could in the company of the lions, leopards and cheetahs that I came to know as individuals, each with their own character. I read everything I could about animal behaviour, followed the work of the scientists and contributed my own findings to their work wherever possible. Television sought me out because - in the simplest terms - I knew what I was talking about and could communicate easily with the general public. There is nothing like passion and enthusiasm allied to knowledge. I was soon to learn that filming wildlife had its dark side. My experiences working with the long-running American TV show Mutual of Omaha's Wild Kingdom opened my eyes to the tendency of some publishers and filmmakers to portray a false impression of untamed wilderness, and how the use of captive animals and set-up scenes were once the industry standard.

  This podcast series is a continuing effort to educate and inspire our audience. If you'd like to learn more about us, or to check out our latest collection of educational ebooks, please visit our website: www.bigcatpeople.com



EPISODE 5: THE LEOPARD'S TALE

From the keynote of Jonathan Scott:

Welcome to The Big Cat People podcast! We're Jonathan and Angela Scott, award-winning wildlife photographers, authors and conservationists. We have made our name documenting the lives of lions, leopards and cheetahs in the Maasai Mara National Reserve in Kenya. Today's episode will be the fifth in a ten-part series named "Our Story: Becoming the Big Cat People." This episode is named, "The Leopard's Tale." To this day the leopard is still my favourite wild creature, the most beautiful, secretive, illusive and enigmatic of big cats. It was the leopard that I most wanted to see when I first came to Africa but poaching in the 1960s and 1970s made that impossible. Those leopards that had survived knew well to keep hidden. But in time I came to know a female I named Chui meaning leopard in Swahili and when she gave birth in early 1983 to two male cubs that I named Dark and Light I hurry home to Kenya after surgery for a ruptured disk in my lower back. Finally, I was able to gather the photographs of a mother leopard and her cubs to illustrate Chui's story - a story that had taken six years to complete. That is how hard it was to find a leopard back then let alone photograph one.

  Unravelling the secret life of the leopards-Chui and her mother, the ghostlike Mara Buffalo Female, and their cubs was one of the most satisfying times of my life. It enabled me to immerse myself in their world and established my credentials as an author in my own right. People often ask how I came to be a television presenter. It wasn't to become famous. It was because I was doing something that people found interesting; I was passionate about wildlife and spent every minute I could in the company of the lions, leopards and cheetahs that I came to know as individuals, each with their own character. I read everything I could about animal behaviour, followed the work of the scientists and contributed my own findings to their work wherever possible. Television sought me out because in the simplest terms-I knew what I was talking about and could communicate easily with the general public. There is nothing like passion and enthusiasm allied to knowledge. I was soon to learn that filming wildlife had its dark side. My experiences working with the long-running American TV show Mutual of Omaha's Wild Kingdom opened my eyes to the tendency of some publishers and filmmakers to portray a false impression of untamed wilderness, and how the use of captive animals and set-up scenes were once the industry standard.

  This podcast series is a continuing effort to educate and inspire our audience. If you'd like to learn more about us, or to check out our latest collection of educational ebooks, please visit our website: www.bigcatpeople.com



EPISODE 6: PAINTED WOLVES AND THE GREAT MIGRATION

From the keynote of Jonathan Scott:

Welcome to The Big Cat People podcast! We're Jonathan and Angela Scott, award-winning wildlife photographers, authors and conservationists. We have made our name documenting the lives of lions, leopards and cheetahs in the Masai Mara National Reserve in Kenya. Today's episode is a continuation of our ten-part series named "Our Story: Becoming the Big Cat People." This episode is named, "Painted Wolves and The Great Migration." By now I have written books on lions and leopards and spent nearly ten years living in the Maasai Mara. I decide to travel south to the great Serengeti National Park in Tanzania that borders the Mara to the south. I live in my vehicle for weeks at a time over the next three years as I gather material on the Painted Wolves - the African wild dogs, the most social of all the large carnivores in complete contrast to the solitary leopards I had been focusing on. I become one with the pack, living in the den where their puppies are hidden, rising when they do, sleeping in my car wherever they bed down for the night. I find solitude among the vastness of the endless plains to seek answers to the mental health issues that have cast a shadow over my life since childhood. I witness the extent of the bush meat trade - the poaching that kills tens of thousands of animals that are snared, speared, trapped or shot each year. I complete books on both the wild dogs and the great migration, meet Prince Charles (now King Charles III), and two of my childhood heroes Sir Peter Scott and David Attenborough who endorse my work. In 1987 I win the Overall Award in the prestigious Wildlife Photographer of the Year competition with one of my wild dog photographs and begin to feel that I am stepping out of my father's giant shadow.

  This podcast series is a continuing effort to educate and inspire our audience. If you'd like to learn more about us, or to check out our latest collection of educational ebooks, please visit our website: www.bigcatpeople.com



EPISODE 7: ANGIE: GIRL WITH THE LONG BLONDE HAIR

From the keynote of Jonathan Scott:

Welcome to The Big Cat People podcast! We're Jonathan and Angela Scott, award-winning wildlife photographers, authors and conservationists. We have made our name documenting the lives of lions, leopards and cheetahs in the Masai Mara National Reserve in Kenya. Today's episode is a continuation of our ten-part series named "Our Story: Becoming the Big Cat People." This episode is named, "Angie: Girl with the Long Blonde Hair." Despite realising some of my most treasured dreams, I had suffered from a condition known as dissociation - a feeling of unreality - that would sweep over me for days, weeks, months even. It began in my final year at Christ's Hospital School in England, on through University in Northern Ireland well into my 30s in Kenya. A turning point for my mental health issues was meeting Angela Bellamy in the late 1980s, the girl with the long blonde hair and beloved children Alia and David. Not only was I to come to know the joy of becoming a Father, I had never met anyone like Angela before sublime in her beauty, the best listener and companion you could ever hope for, and the love of my life. Added to that was her upbringing. She was living my dream long before I set out overland from London in 1974 in search of a life amongst wild animals in savanna Africa. She was born in Alexandria in Egypt, and raised in Dar es Salaam in Tanzania with the Serengeti as her family's favourite safari destination. We both loved art and photography and spending time in nature. By good fortune, another extraordinary female appeared in my life at this time: a leopard I named the Paradise female who in 1996 was to become Half-Tail of Big Cat Diary fame. Angela and I married in March 1992 atop the Olololoo Escarpment, 300 meters above the Mara's animal-speckled plains. A year later we decided to buy a home of our own in a leafy suburb of Nairobi overlooking the Ngong Hills, the sublime view celebrated in Karen Blixen's evocative and poetic story Out of Africa.

  This podcast series is a continuing effort to educate and inspire our audience. If you'd like to learn more about us, or to check out our latest collection of educational ebooks, please visit our website: www.bigcatpeople.com



EPISODE 8: FROM AFRICA TO ANTARCTICA

From the keynote of Jonathan Scott:

Welcome to The Big Cat People podcast! We're Jonathan and Angela Scott, award-winning wildlife photographers, authors and conservationists. We have made our name documenting the lives of lions, leopards and cheetahs in the Masai Mara National Reserve in Kenya. Today's episode is a continuation of our ten-part series named "Our Story: Becoming the Big Cat People!" This episode is named, "From Africa to Antarctica." Opportunity beckons in 1989! I'm asked to co-present Africa Watch with Julian Pettifer, the first live outside broadcast from the Maasai Mara produced by the BBC/ Discovery Channel. For ten days we beamed breathtaking images around the world, starring the Marsh Pride and the great migration. Africa Watch proves a great success. There is talk of the BBC finding a TV series for me to present, but not yet. During filming, I meet Mitsuaki Iwago the legendary wildlife photographer who tells me to be more adventurous with my own photography. 1991 hails the beginning of our love affair with Antarctica, a land beyond reality, that would keep Angela and myself enthralled to this day. Our annual expeditions aboard Abercrombie and Kent's Little Red Ship, brought to life by tales of the heroic age of exploration when Scott, Amundsen and Shackleton battled the elements to be first to the South Pole, opened a whole new chapter in our lives "Out of Africa."

  En route, via South America, we go in search of Angela's Grandfather Hugo Salman Backhouse who bred polo ponies on an estancia in Cordoba, Argentina, where Angela's mother Joy and Uncle Jonny were born and homeschooled. Hugo, forever the charismatic adventurer, captained the Argentine Polo Team in 1936, spied for Britain in both World Wars, and rode with Laurence of Arabia. Back in Africa, we remember some close encounters with nature, from a 4.5-meter-long python, curled up under our son David's cot, to a bull elephant named Tyson who relished trashing the BBC's camera equipment while filming Elephant Diaries in Tsavo National Park. Yet one of our most frightening misadventures is not in Africa. A meeting on foot with a bull Hooker's Sea Lion on the remote Campbell Island off New Zealand during our semi-circumnavigation of Antarctica aboard Kapitan Khlebnikov proves a salutary tale. With a warning, we would all do well to heed.

  This podcast series is a continuing effort to educate and inspire our audience. If you'd like to learn more about us, or to check out our latest collection of educational ebooks, please visit our website: www.bigcatpeople.com



EPISODE 9: BIG CAT DIARY

From the keynote of Jonathan Scott:

Welcome to The Big Cat People podcast! We're Jonathan and Angela Scott, award-winning wildlife photographers, authors and conservationists. We have made our name documenting the lives of lions, leopards and cheetahs in the Masai Mara National Reserve in Kenya. Today's episode is a continuation of our ten-part series named "Our Story: Becoming the Big Cat People." This episode is named Big Cat Diary Jonathan's journey to becoming a television presenter takes a big step forward in 1995. He is asked to co-present a series of live programmes from Kenya's Rift Valley soda lakes called Flamingo Watch, hosted with Simon King and Chris Packham. The following year his big chance finally arrives. He is asked to present his own television series called Dawn to Dusk, six African adventures in iconic company: Alan Root (Wildlife Filmmaker, Richard Gross (Wildlife Filmmaker), Charlotte Uhlenbroek (Primatologist), Blyth and Rudi Louti (Save the Rhino), Randall Moore (Abu Elephant Camp), John Stevens (Safari Guide/Naturalist). A review of the series by journalist Christina Odone in the Daily Telegraph is scathing and could have heralded the end of Jonathan's presenting career before it had a chance to take off. Fortunately that same year the BBC announces the launch of a new prime-time wildlife television series called Big Cat Diary, to be presented by Jonathan and Simon King.

  Reality television was becoming increasingly popular with Animal Hospital hosted by Rolf Harris gaining rave reviews. Human/Animal stories that could deliver insights and emotion featuring individual characters were destined for huge success. Big Cat Diary's strength was built around having three strong animal characters to engage audiences' emotions. The emergence of a leopard called Half-Tail and her young daughter Zawadi (known as Shadow on Big Cat Diary), who Jonathan and Angela had followed for years and knew where to find, proves pivotal to the success of the series. In 1997 Jonathan and Angela are asked to present segments for Wild Things (Paramount TV), taking them around the world to India (tigers), Nepal (Asiatic rhino), Alaska (brown bears), Kenya (cheetahs), Uganda (mountain gorillas), Komodo Island (Komodo Dragons), and Kalimantan/Borneo (Orang Utan). Filming runs for two years and the experience gives Jonathan and Angela the confidence to deliver pieces to the camera with authority and passion.

  This podcast series is a continuing effort to educate and inspire our audience. If you'd like to learn more about us, or to check out our latest collection of educational ebooks, please visit our website: www.bigcatpeople.com


EPISODE 10: THE NATURE OF LIFE

From the introductory keynote of Jonathan Scott:

Welcome to The Big Cat People podcast! We're Jonathan and Angela Scott, award-winning wildlife photographers, authors and conservationists. We have made our name documenting the lives of lions, leopards and cheetahs in the Masai Mara National Reserve in Kenya. Today's episode is the final episode of our ten-part series named "Our Story: Becoming the Big Cat People." This episode is named "The Nature of Life." Big Cat Diary (1996-2008) was to become a worldwide success watched by millions of viewers, who to this day still ask when it is coming back. DVDs of the series soon sold out, and people are still watching repeats of the more than 70 episodes 25 years later. The BBC went in search of more animal Diaries: Elephant Diaries, Big Bear Diary, Chimpanzee Diaries, and Orang Utan Diaries. But none would rival Big Cat Diary with its three strong animal characters - the charismatic lions, leopards and cheetahs. In 2009 Jonathan narrates The Secret Leopard for BBC2. The following year he presents the two-part BBC2 series The Truth About Lions with Professor Craig Packer of the Serengeti Lion Project. Angela leads Jonathan on a spiritual journey, and encourages him to explore the wonders of the Blue Planet. They visit the Galapagos Islands, Sri Lanka, Mauritius, and the Maldives and take a yacht charter to the southern archipelago off Myanmar. In the process, Jonathan and Angela are reminded of the destructive impact of our species on the Planet.

  In 2003, the same year that Kike the cheetah jumps on the roof of his vehicle and poops and pees through the roof hatch, Jonathan is diagnosed with cancer of the bladder and undergoes surgery that is successful. Five years later Jonathan and Angela discover the reason for the bewildering array of symptoms that Angela has suffered from since 1995- Lupus, an incurable auto-immune disease with debilitating episodes of fatigue and flares. Worse is to follow when in 2012 a CatScan shows that Angela has a cranial aneurism requiring surgery. The operation is successful and the experience reaffirms the couple's love for each other and life. They founded the Sacred Nature Initiative in 2021 and are determined to continue their mission to help reconnect people to Nature.

  This podcast series is a continuing effort to educate and inspire our audience. If you'd like to learn more about us, or to check out our latest collection of educational ebooks, please visit our website: www.bigcatpeople.com

21 April 2023

OUR PLANET (2019) • Wikipedia

 

Our Planet

From Wikipedia, the free encyclopedia
Our Planet
Our Planet (Netflix) - Series Cover Artwork.jpg
Opening sequence for Our Planet
GenreNature documentary
Narrated by
ComposerSteven Price
Country of originUnited Kingdom
Original languageEnglish
No. of seasons1
No. of episodes8
Production
Executive producers
Running time48–53 minutes
Production companies
Release
Original networkNetflix
Picture formatUHDTV 2160p
Audio format
Original release5 April 2019 –
present

Our Planet is a British nature documentary series made for Netflix. The series is narrated by David Attenborough and produced by Silverback Films, led by Alastair Fothergill and Keith Scholey, who also created BBC documentary series Planet EarthFrozen Planet and The Blue Planet, in collaboration with the conservation charity World Wildlife Fund (WWF). Music composed by award-winning composer Steven Price.

The series addresses issues of conservation while featuring these desperate animals in their respective home regions, and has been noted for its greater focus on humans' impact on the environment than traditional nature documentaries, centering around how climate change impacts all living creatures. It is the first nature documentary Netflix has ever made. All episodes were released on 5 April 2019. A behind-the-scenes documentary was released onto Netflix on 2 August 2019.[1] Netflix reported that 25 million households were expected to watch the series during its first month of release.[2] It was later reported that 100 million households had watched the series as of March 2021.[3]

A second season is set for a 2023 release.[4]

Production[edit]

On 15 April 2015, it was announced that the team behind the BBC nature series Planet Earth would produce an eight-part nature docu-series for Netflix that would be released in 2019.[5] It was four years in the making and was filmed in 50 countries, and over 600 crew members took part in the production. The series focuses on the breadth of the diversity of habitats around the world, including the Arctic wilderness, the deep sea, the vast landscapes of Africa and the diverse jungles of South America.[6]

In November 2018, David Attenborough was announced as the narrator, with the release date of 5 April 2019 also announced.[7]

Promotion[edit]

The series premiere was held on 4 April 2019, at the Natural History Museum in London. Guests at the premiere included Prince Charles and his two sons Prince William and Prince HarryCharlie BrookerDavid Beckham and his son Brooklyn BeckhamEllie Goulding and the series narrator David Attenborough, who attended the event to underline their support for action against climate change.[8]

In his speech, Prince Charles said he hoped “Our Planet” would educate hundreds of millions of people around the world about what action was required, while David Attenborough called on the world to "be responsible careful citizens of this planet which is our only home, and for the creatures that live in it."[9]

The first teaser trailer for "Our Planet" was released on 8 November 2018.[10][11] Three months later, on 4 February 2019, the second teaser trailer was released.[12] On 19 March 2019, the official trailer for the documentary was released.[13]

Episodes[edit]

[This] series will explore the Earth's most important habitats, and celebrate the life they still support. We will reveal what must be preserved if we are to ensure a future where humans and nature can thrive.

— David Attenborough, "One Planet"
No.TitleProduced byOriginal release date [14]
1"One Planet"Adam Chapman5 April 2019
Off the coast of Peru, millions of cormorants and boobies carpet bomb a bait ball of anchovies. A vast school of mackerels are hunting krill, who are then themselves hunted by dolphins and shearwaters. Flocks of lesser flamingos arrive at a salt pan after a deluge to nest, but as the water dries, the flamingo chicks have to embark on a journey to find water. At the Serengeti, a pack of hunting dogs pursue a blue wildebeest calf. An orchid attracts a male orchid bee in search of a mate and attaches its pollinium onto the bee's back, providing the bee with fragrances to attract a mate. Different species of manakins have different types of courtship display. A herd of caribou retreat into a forest to take shelter from the harsh winter weather, but are hunted by a pack of wolves. Attenborough then warns of the rapid melting of sea ice in the Arctic and Antarctica, showing the impact it has on polar bears. In Greenland, a glacier collapses, creating a large tidal wave.
2"Frozen Worlds"Sophie Lanfear5 April 2019
Gentoo penguins climb to the top of a rocky outcrop to lay their eggs. Beneath the melting sea ice, trillions of Antarctic krill graze upon algae. The penguins and several humpback whales gather in large groups to feed on the abundant krill. A pod of orcas arrive and hunt the penguins. On the island of South Georgiawandering albatrosses raise their chicks. Leopard seals stay the winter in the warmer waters of South Georgia to hunt king penguins out to find food for their chicks. Two male southern elephant seals fight over dominance. Far north in Svalbard, the impact climate change has on polar bear's hunting habits is shown, as ringed seals use dens less often, removing the bears' advantage of ambush. During summertime in the Canadian Arctic, narwhals wait for a crack in the ice to hide from predators in a shallow bay. Over a hundred thousand walruses have hauled out on a beach in the Russian Far East due to much of the sea ice having melted. Some of the walruses manage to scale the high cliffs, but many fall to their deaths.
3"Jungles"Huw Cordey5 April 2019
In the Congolian rainforests, a troop of lowland gorillas and African forest elephants travel to Mbeli Bai, a wet clearing in the middle of the jungle to feed. Different species of birds-of-paradise use different methods to attract mates. On the forest floors of Borneo, a velvet worm squirts a glue-like slime to capture a cockroach. The symbiotic relationship between various species of pitcher plants with mountain treeshrews, ants and Hardwicke's woolly bats is explored. A mated couple of Philippine eagles raise a chick in the declining Philippines rainforest. Some black spider monkeys visit a salt lick down on the forest floor. Leafcutter ants ensure that their gardens are disease-free with the help of bacteria, however, one of the ants succumbs to a fungal infection that takes over its whole body. The episode ends in the rainforest of Sumatra, where mother Sumatran orangutans teach their young important life skills of survival.
4"Coastal Seas"Hugh Pearson5 April 2019
Several giant trevallies and mobula rays work together to feast on a shoal of anchovies. At the Everglades National Parkbottlenose dolphins herd mullet in a ring of mud. Grey reef sharks have a cleaning symbiosis with cleaner wrasses and at nighttime, they and whitetip reef sharks work together to hunt within a coral reefCorals have a mutualistic relationship with algae, which help provide them with food, but because of rising sea temperatures, coral begin to lose algae, endangering the world's coral reefs. Sea otters and California sheephead help control the population of sea urchins in the Californian kelp forestsSteller sea lions and humpback whales congregate to feast on breeding shoals of Pacific herring. Due to overfishing and unsustainable fishing methods, Pacific herrings have been declining. The increasing temperatures have allowed compass jellyfish to skyrocket in numbers. Millions of seabirds roost off the coast of Chile. Although sharks were once extirpated from the Raja Ampat Islands, the surrounding seas were protected and it was turned into a shark nursery, restoring balance to the ecosystem.
5"From Deserts to Grasslands"Adam Chapman5 April 2019
The dry Atacama Desert provides refuge for Socotra cormorants. Over the Dhofar Mountains in Oman, a male and female Arabian leopard mate. At the Rub' al Khali sand dunes, only desert specialists like the Arabian oryx are capable of survival. A herd of desert elephants are led by their matriarch to an oasis. A coalition of five male cheetahs take down a wildebeest. During the summer, male American bison fight over mating rights. Butterflies are abundant in farmlands in Hungary and the caterpillars of the Alcon blue rely on ants to carry them to their nests, where they will be fed by nurse ants. Once abundant throughout the Eurasian Steppesaiga antelope are now critically endangered, but conservation efforts have been protecting them for years. Conservation efforts and captive breeding have also helped save another grassland animal, the Przewalski's horse. In the grasslands of India, a Bengal tiger stalks deer from the tall grass. Despite poaching and the growing population in India, the tiger population has been on the rise.
6"High Seas"Hugh Pearson5 April 2019
A large pod of dolphins manage to escape from a pack of false killer whales with their superior speed. The Gulf of California provides a safe haven for female blue whales and their calves. Off the coast of Costa Ricayellowfin tuna shadow a pod of spinner dolphins as they hunt lanternfish. Despite their tiny size, phytoplankton play an invaluable role in the ocean's food web and cloud formation. Deep into the twilight zone, several unique creatures like the giant oarfish and deep-sea anglerfish have unique adaptations to survive in a world of darkness. Deep water coral like Lophelia are home to smaller organisms like bristle worms, however, a lot of deep sea reefs have been destroyed by deep sea fishing nets. In the Southern Oceangiant petrelsblack-browed albatrosses and Wilson's storm petrels find a dead sea lion and are all scared off by the arrival of a wandering albatross. Hundreds of Pacific bluefin tuna pursue a bait ball of anchovies. Because of a combination of overfishing and plastic pollution, several fish species are now in peril. Squid numbers have been increasing, affecting the diets of some species. The episode concludes with a super-group of humpback whales aggregating off the coast of South Africa.
7"Fresh Water"Mandi Stark5 April 2019
After the Lake Eyre dries up, several young Australian pelicans have to fly back to the coast. In the Andestorrent ducks feed on scarce insect larvae. Salmon migrate from the ocean into the inland rivers to breed and Alaskan brown bears await their arrival. The Caño Cristales in Colombia has flourishing populations of the colourful Macarenia plant. The warm Floridan rivers provide a winter refuge for manatees. Millions of mayflies emerge from the Tisza to mate before their deaths in three hours. In the Pantanal floodplains, a jaguar hunts a caiman. Male callipterus cichlids collect shells to attract females. The Siamese fighting fish is well adapted to living in oxygen-poor water. During a drought in Tanzania, several hippos are crammed in a muddy pool. African buffalos struggle to find water but African elephants are able to dig for water in the sand with their trunks. The Platte River, once a hotspot for sandhill cranes has now been dammed, although conservationists have been working to manage the river's flow to restore the cranes.
8"Forests"Jeff Wilson5 April 2019
Deep in the forests of Siberia, some wild boar who are searching for pine cones in the forest floor are stalked by a Siberian tiger. Multiple bald eagles gather for a salmon run. Male rough-skinned newts tussle over mating with a female. As the summer ends, a forest fire occurs, but even after the destruction, flowers and tree seedlings sprout out from the soil. In the Western Ghats of Indialion-tailed macaques and great hornbills help with seed dispersal. The Miombo woodland in Central Africa not only serves as a hunting ground for hunting dogs and food for a large number of elephants, but a large swarm of mopane worms hatch in the woodland and quickly strip the trees bare. On the island of Madagascar, a pair of fossas mate and leaf bugs searching for tree sap help a gray mouse lemur find sugar. The planet's forests are known for their resilience, including Chornobyl. Despite the amounts of radiation after the Chernobyl disaster, plants began to germinate after a decade and today, it still sustains a thriving population of animals including roe deer, Przewalski's horses and wolves.

A 1 hour long bonus episode "Our Planet - Behind The Scenes" about the project is accessible under Additional Videos on Netflix.[15]

Reception[edit]

Keith Scholey discussing Our Planet at the TIFF Bell Lightbox.

The review aggregator website Rotten Tomatoes reported an approval rating of 93% based on 27 reviews, and an average rating of 8.33/10. The website's critical consensus reads, "A cornucopia of visual wonder and environmental advocacy, Our Planet's breathtaking cinematography explores more of this beautiful, blue marble while presenting an urgent call to action to its inhabitants"[16] Metacritic, which uses a weighted average, assigned the film a score of 88 out of 100, based on 7 critics, indicating "universal acclaim".[17]

Lucy Mangan of The Guardian gave out 4 out of 5 stars to Our Planet, saying "it places clearer emphasis on the fragility and interconnectedness of all the species and eco-systems on display, and on the huge impact, humanity has had on them in so short a time.[18] Bryan Resnick of Vox praised the series as "can’t really describe the scale of what’s missing" stating "It reminds us we’re living in an age of staggering wildlife loss due to human development, over-fishing, deforestation, and climate change. This series doesn’t let us forget that. Humans have caused staggering amounts of wildlife loss. Our Planet doesn’t hide from it."[19] Ben Travers of Indie Wire gave out an overall B+ for the series, and claims that the series ruthlessly contrasts the world's natural wonders with the environmental crisis killing them off, he wrote "Their deaths are a warning for the darkness underlying all of Our Planet, a nature docuseries no longer content with passive commentary. It also offers all the stunning imagery you’ve come to expect from these documentarians, but its attitude may surprise you. Individual entries feel a little less memorable because of it. The light, comic touches that made for lovely little moments in Planet Earth are overshadowed if not spoiled entirely, by the traumatic lessons put front and centre."[20]

Will Gompertz of BBC also handed out a 4 out of 5 stars for the series, stating it "gives us some of the most dazzling images you are ever likely to view on TV. When necessary, they are embellished with Attenborough's commentary, which is never obtrusive and always written with brevity and wit...It has been created by masters of their craft with an exceptional narrator, I do wonder, though, if the experienced executive producers at BBC would have sharpened up the first episode a little."[21] Stuart McGurk of British GQ said "It’s hard not to see this as a direct rebuke of the BBC’s nature documentaries: take one well-worn spectacular of the natural world, shoot it even more spectacularly than the BBC ever did and structure your whole opening episode around the idea that, without taking things like global warming seriously – without putting it front and centre about any show you’re making about the natural world, because how could you not – then pretty soon they’ll be nothing left to film so beautifully."[22] Kevin Yeoman of Screen Rant concluded the series as "stunningly ambitious", he wrote "Where Our Planet excels [Planet Earth and Blue Planet], though, is in its presentation. It’s not trying to convince anyone of anything — the time for doing that is long past. It’s simply stating this information as fact, in as straightforward a manner as possible. Not that it’s particularly difficult considering the evidence the series has on hand."[23]

However, Ed Power of The Telegraph criticized the documentary series as "visually dazzling but very familiar." and gave it a 3 out of 5 stars, writing "It is clichéd in its portrayal of life on earth as a slow-motion ballet of tooth and claw....In short, the innovations that made Attenborough’s previous series so sensational are conspicuously absent. It’s a haunting vision. More of this and Our Planet might have been a meaningful addition to the canon of natural history series. Instead, it prioritizes cinematic grandeur to an almost oppressive degree."[24] Writing in The Independent, Lucy Jones stated that the most important aspect of the series, which set it apart from other nature documentaries of its type, was the depictions of the harsh realities of global warmingmass species extinction and environmental degradation which were woven into the narration that accompanied the breathtaking scenes and imagery, but she also argues it did not go far enough and should have been more radical given current ecological crises. In particular, she says the program should have called out those responsible for this ecocide. When Attenborough's narration tells the audience "We have destroyed half the forests on earth", she retorts "But, who is we? As well as the fossil fuel industry, where is the fishing industry? Agriculture? The plastics industry? The vested interests that keep the planet burning? Yes, we are all complicit – those of us in affluent societies with high-consumption lifestyles more so than anyone – but there are greater powers at work. Describing the scale of the challenge is necessary but I wanted the series to go further, to peer under the hood."[25]

Soundtrack[edit]

Our Planet
Soundtrack album by 
Released5 April 2019 (Digital)
GenreSoundtrackClassical music
Length2:26:00
LabelDecca Records, Universal Music
ProducerNetflix

The soundtrack was released with a compilation of the incidental music specially commissioned for Our Planet. The theme song "In This Together", which is a collaboration with English singer and songwriter Ellie Goulding, is also included.

No.TitleEpisode TitleLength
1."This Is Our Planet""One Planet"3:43
2."The Numbers Build""High Seas"5:04
3."They Work as a Team""Frozen Worlds"3:41
4."The Importance of This River""Freshwater"2:40
5."An Ingenious Technique""Coastal Seas"2:49
6."The Ocean Returns the Favour""Deserts and Grasslands"2:20
7."Baby Blue""High Seas"4:51
8."Regeneration""Forests"1:51
9."An Unknown Signal""One Planet"5:08
10."Too Big to Argue With""Jungles"5:35
11."Frozen Worlds""Frozen Worlds"3:26
12."Mayflies""Freshwater"3:08
13."Great Rolling Waves""Coastal Seas"6:36
14."Crucial to Their Survival""Jungles"7:25
15."Every Year There Are Others""Forests"2:48
16."Where Life Gathers""One Planet"3:20
17."The Perfect Gift""Frozen Worlds"2:53
18."The Oceans Belong to Us All""High Seas"6:19
19."Deserts and Grasslands""Deserts and Grasslands"2:56
20."The Mighty Mekong""Freshwater"2:01
21."Corals""Coastal Seas"2:17
22."Leaf Cutters""Jungles"1:18
23."Chernobyl""Forests"7:03
24."Into the Woodlands""One Planet"4:35
25."Signature Moves""One Planet"2:35
26."Every Other Breath You Take""High Seas"4:21
27."Arctic Refugees""Frozen Worlds"6:38
28."A Sudden Turn""High Seas"2:11
29."A Nest of Bubbles""Freshwater"1:56
30."He Wins Her Approval""Jungles"1:42
31."Majestic Submarine Forests""Coastal Seas"2:28
32."They Came Back""Deserts and Grasslands"2:33
33."We Must Preserve What's Left""Jungles"2:28
34."Ice Caves""Freshwater"2:26
35."Mythical Creatures Follow""Frozen Worlds"3:31
36."They Have Come to a Desert""Deserts and Grasslands"1:41
37."This Glacial Ice""One Planet"7:42
38."A Greater Resilience""Coastal Seas"4:02
39."The Next Twenty Years""One Planet"1:41
40."In This Together"With Ellie Goulding4:43
Total length:120:26

Broadcast[edit]

Starting from 20 June 2020, the series was aired on Indonesian television network TVRI as a part of Belajar dari Rumah (Study from Home) programming block, made possible by a partnership between the Ministry of Education and Culture and Netflix. The broadcast marked the first Netflix original documentary series ever aired on conventional television, alongside a collection of Netflix documentaries included in the partnership.[26][27]

During the COVID-19 pandemic, Netflix has made the series available for free streaming on YouTube as an educational resource.[28][29]

See also[edit]

References[edit]

  1. ^ "'Our Planet: Behind the Scenes' Documentary Arrives on Netflix"What's on Netflix. 2 August 2019.
  2. ^ Porter, Rick (16 April 2019). "'Umbrella Academy' Draws 45M Global Viewers, Netflix Claims"The Hollywood Reporter. Retrieved 16 April 2019.
  3. ^ "Every Viewing Statistic Netflix Has Released So Far"What's on Netflix. 8 April 2021.
  4. ^ "Netflix Expands Natural History Slate with Six New Documentary Series, Beginning November 22 with 'Our Universe'" (Press release). Netflix Media Center. 1 November 2022. Retrieved 1 November 2022.
  5. ^ Beaumont-Thomas, Ben (15 April 2015). "Planet Earth team head to Netflix for epic new series Our Planet"The Guardian. Retrieved 9 November 2018.
  6. ^ Spangler, Todd (15 April 2015). "Netflix Slates 'Our Planet' Massive Nature Documentary Series for 2019"Variety. Retrieved 8 April 2019.
  7. ^ Waterson, Jim (8 November 2018). "David Attenborough to present Netflix nature series Our Planet"The Guardian. Retrieved 9 November 2018.
  8. ^ Ling, Thomas (5 April 2019). "Royals join David Attenborough for star-studded Our Planet Netflix premiere"Radio Times. Retrieved 10 April 2018.
  9. ^ "UK royals attend Netflix 'Our Planet' premiere"Reuters. 4 April 2019. Retrieved 10 April 2018.
  10. ^ Kamp, Justin (8 November 2018). "Netflix Shares Teaser for New Documentary Series Our Planet"Paste Magazine. Retrieved 10 April 2019.
  11. ^ Netflix (8 November 2018), Our Planet | Teaser [HD] | Netflix, retrieved 10 April 2019
  12. ^ Netflix (3 February 2019), Our Planet | Official Teaser [HD] | Netflix, retrieved 10 April 2019
  13. ^ Greene, Steve (19 March 2019). "'Our Planet' Trailer: Ambitious Netflix Nature Series Visits All Seven Continents"Indie Wire. Retrieved 10 April 2019.
  14. ^ "Our Planet - Listings"The Futon Critic. Retrieved 21 March 2019.
  15. ^ "Our Planet Netflix Official Site"Netflix, retrieved 7 June 2019
  16. ^ "Our Planet: Season 1"Rotten Tomatoes, retrieved 19 April 2019
  17. ^ "Our Planet Reviews"Metacritic, retrieved 19 April 2019
  18. ^ Mangan, Lucy (5 April 2019). "Our Planet review – Attenborough's first act as an eco-warrior"The GuardianISSN 0261-3077. Retrieved 10 April 2019.
  19. ^ Resnick, Brian (8 April 2019). "Netflix's Our Planet focuses on the most important nature story of our time: loss"Vox. Retrieved 10 April 2019.
  20. ^ Travers, Ben (5 April 2019). "'Our Planet' Review: Netflix's Stunning Nature Doc Is Here to Tell You We're Screwed"IndieWire. Retrieved 10 April 2019.
  21. ^ Gompertz, Will (6 April 2019). "Review: Our Planet, Sir David Attenborough's Netflix debut". Retrieved 10 April 2019.
  22. ^ McGurk, Stuart (2 April 2019). "David Attenborough's new Netflix series Our Planet is a direct rebuke of the BBC"British GQ. Retrieved 10 April 2019.
  23. ^ "Review: Netflix's Our Planet"ScreenRant. 3 April 2019. Retrieved 10 April 2019.
  24. ^ Power, Ed (1 April 2019). "Our Planet review: David Attenborough's Netflix series is visually dazzling but very familiar"The TelegraphISSN 0307-1235. Retrieved 10 April 2019.
  25. ^ Jones, Lucy (7 April 2019). "Our Planet: We are already into the sixth mass extinction – Attenborough's new Netflix series is just not urgent or radical enough"The IndependentArchived from the original on 24 May 2022. Retrieved 11 April 2019.
  26. ^ Bona, Maria Fatima (18 June 2020). "Netflix Documentaries to Air on TVRI for Distance Learning"Jakarta Globe. Retrieved 21 June 2020.
  27. ^ "'Our Planet', Marie Kondo among Netflix documentaries to air on TVRI"The Jakarta Post. 18 June 2020. Retrieved 26 June 2020.
  28. ^ Planet, Our. "Watch Our Planet at home on YouTube"WWF. Retrieved 11 January 2021.
  29. ^ "Our Planet to be Voiced by Sir David Attenborough"World Wildlife Fund. Retrieved 11 January 2021.

External links[edit]

External video
video icon Our Planet: David Attenborough speech at premiere on YouTube
video icon Behind-the-scenes of the walrus scene in Our Planet on YouTube