25 August 2022

LION: THE RISE AND FALL OF THE MARSH PRIDE, PART II: THE CONTRAPUNTAL CATASTROPHE

THE NEXT innings in the history of the Marsh Pride witnessed more threads of setbacks yet again. Of its two renderings, the first programme of BBC's The Truth About Lions (2011), namely, "The Social Cats," explicates a sequence of assumptions that were thought to be the probable causes of lions' social behavioural texture, starting from the hypothesis of hunting in group, communal suckling and defence to the resolution of lion prides' priority over their territories. The other programme, "The End of the Road?" features the current conservation status of lions in a worldwide context. To his meeting with Dr Craig Packer in 2010 while presenting for The Truth About Lions, the ace lion expert and the director of Serenegeti Lion Project, Scott explained his preoccupation of watching the Marsh Pride – at least thirty individuals at a time, occasionally having the interactions with the adjacent pride members, while Dr Packer highlighted on the anecdotes and research of their team that incorporated a study of at least thirteen to twenty-eight prides during a certain period of time, designating the importance of the notion of habitat. Interestingly, in order to get acquainted with the habitat and territorial advancement, the researchers or observers need to know lions at their individual level. Over the years, the Marsh Pride has produced some iconic lionesses, including the Three Graces, the progeny of the Golden Four, who were born in 2005, and served as the backbone of the pride for more than a decade. Without them, it is unlikely the pride would have existed to this day as they battled through the tough times to ensure the future of the pride for the next generations. 


Siena, the "iron lady" from the Three Graces.
Photo Credit: BBC


Charm, the reserved individual.
Photo Credit: BBC

Joy, the devoted mother. 

Photo Credit: Teresa O Dwyer

  The Three Graces — Siena (referred to as Beauty by Simon King in Big Cat Live 2008)  Charm and Joy and were born into the pride between January and June 2005. They have been sired by the famous pride male Notch and his coalition partner. This meant that the three young lionesses were also siblings and cousins of the five males, known as the Notch Gang, born in the same year — Long, Notch II, Ron, Caesar and Grimace who would go on to become members of the most successful coalition in the history of the Maasai Mara. Whilst it was the destiny of the young males to eventually leave and forge a new dynasty for themselves elsewhere, the females would remain with their mothers and aunts and ensure the long term future of the Marsh Pride. But for most of their life as cubs and sub-adults, the future of the Three Graces was hanging in the balance. In the middle of 2005, as it turned out, Notch's partner was killed by the three strong coalition from Paradise Plain. Notch was left as a lone pride male. It was only a matter of time before the next challenge arrived and in 2007, Notch was ousted from the pride by the three new males from Serena Pride called Clawed, Romeo and Pavarotti, an event which also led to the departure of Notch's five young male heirs, some of them could well be his own sons. At this point Siena, Joy and Charm were the sub-adults of two-year-old, and not ready to breed which posed a serious threat to their safety, forcing them to breakaway from the main pride and to form up a separate satellite group within the territory.

Four of the five male heirs of Notch in Paradise Plain.

Photo Credit: Denis Huot

  A new crèch of White Eye and Bibi was formed up, comprising two male cubs and two females. Jicho and Lippy happened to be those two females, who eventually cut off from the pride when they were about a couple of years old and, formed a breakaway group just like the Three Graces had intially done. Initially, Lippy was thought to be a cub of White Eye, but later on, it was proved that she happened to be Bibi's daughter, one of the last legacy bearers of Romeo and Clawed. By 2010, Romeo and Clawed's reign turned out to be quite at stake. While Romeo was still beholding his prime, active enough in siring new generations, Clawed was visibly distressed, and haggard. The nine cubs that were born in the pride in 2008, were nearly two-year-old adolescents, and used to hang out with Lispy. However, to draw the other side of the story, having avoided the males until they reached sexual maturity, by 2009, it was now time for the Three Graces to seek them out in order to reproduce. Siena, who was the born leader of the three, and Joy, mated with the males – Romeo and Clawed, and produced their first litters of cubs later that year. She is often believed to be Red's daughter, because she literally had all the essential primacy that Red used to behold. Siena gave birth to two females, who were known named Mapema (often called Musiara) and Sila, and Joy gave birth to two males known as Hasani and Matajo. Charm, by contrast, happened to be more cautious and reserved – not willing to breed straight away, but as secure environment of a pride was acquired in their stipulated space, and other pride mates having cubs, Charm was now comfortable to start raising offspring of her own and, gave birth to her first litter of three cubs in late 2010 – two males and a female known as Kini. By this point, the two pride males Romeo and Clawed were ageing and there was the sense they would soon be overthrown by a younger coalition. A prelude just happened to be experienced by Lispy and the group of adolescents, as they encountered two fit, strong and ambitious young males that trespassed. Though it was not a determined takeover, the invading males muscled in, and tried to intimidate the adolescent males so that they might have an access to the females. Romeo and Clawed were spending most of their time with the Three Graces and their cubs, cut off from the rest of the pride at the moment, causing the vulnerability and lack of much-needed protection for White Eye and Bibi's small cubs. Meanwhile, the core Marsh Pride had already suffered a major blow when their matriarch Red, along with her three cubs, was poisoned by Maasai herdsmen in the late 2009. In late 2010, after the loss of Red, the Three Graces with their cubs were reintegrated with the pride. For the rest of the year, the growing pride enjoyed a period of peace and prosperity; and everything was going well for them. The Truth About Lions ended up predicting Clawed's inevitable fall and Romeo's vulnerability, and the probability of further invasion. 

Clawed, at the verge of his age and strength. 

Photo Credit: Jackson Ole Looseyia 

Romeo, asserting his presence by saint marking.

Photo Credit: Jonathan and Angela Scott 

  Jonathan Scott here explains a typical "celebrity-factor" of these magnanimous felines, but are not we getting something really overlooked by this entire myth-making of bravado? "The visitors haven't a clue what it really means to be living next to wildlife. For them it's a short little period whereby they might have that sense of fear, which is also very thrilling, and you get walked to your tent, you know in the evening by an armed Maasai, who's reassuring you that everything's OK because he'll be looking after you at night. We delude them by showing them that everything is great. And behind the scenes of every production, there's always things going on, things you don't want people to see, skeletons in your cupboard," says Simon Thomsett. The typically pristine Garden of Eden may render itself to be an illusion because the activities of tourism primarily centre itself to the orientations of the big cats. Jonathan Scott adds here a relevant question: "Forget lions for a minute. I drive to the Mara, and I would expect to see on my drive in augur buzzards, bateleur eagles wheeling around the sky, tawny eagles, two a penny, and suddenly they were disappearing." Adds Simon Thomsett, "There's no vultures any more. Why isn't anybody doing anything about it? The canary in the mindshaft has died, and meanwhile, the minibuses are driving around, pointing at elephants and lions." Intially it was not transparent enough to deconstructe the reason behind it, but gradually, as the words appeared in press, people could anticipate the cause – "furadon", "carbofuran". Dr Paula Kahumbha upholds the threads of the campaigns that she had been running to make appeal to cease deliberate poisonings of lions and other animals in Kenya, in a response to which the Kenya government remained silent. The archival footages painstakingly showed the corpsed of vultures being killed by the aspirin like pills of the toxic insecticides. When vultures are dying, no issues are being raised. When it comes to the lions, the a kind of capitalistic attetion turns up on the scene. Dr Kahumbha furthers adds the reference to CBS 60 Minutes which turned out to be a significant opportunity to raise voice against the deployment of insecticides.


Simon Thomsett featuring the tragic plumetting in the number of the vultures due to the use of the insecticides. 

Photo Credit: BBC

  The position of the territory was always precarious due to the practice of the unprecedented cattle grazing which inevitably causes conflict between the lions and the Maasai herdsmen. This serious problem was highlighted once more in 2011 when Lispy was speared. The death of Lispy meant that the original Golden Four were reduced to two surviving members- White Eye and Bibi, who were having their cubs at the moment. However, this was not the only disruptive event the Marsh Pride encountered in 2011. Subsequently, the predicted takeover occurred in 2011 with the arrival of the four ambitious and powerful males, known as the Four Musketeers – Scarface, Morani, Sikio and Hunter. The change of the guard of dominant males was welcomed by most of the lionesses, but not all of them. Joy had new cubs that would have been killed by the males. Therefore, in order to protect her offspring, she left the pride along with her now sub-adult sons Hasani and Matajo, who were not much welcomed by White Eye after the reintegration of the Three Graces. White Eye also had young cubs to protect and followed suit. Siena and Charm along with Bibi stayed with the pride but paid a heavy price as the two sub-adult sons of Charm were killed by the Musketeers, although she managed to protect Kini who survived the takeover. She, along with her slightly older cousins Mapema and Sila, backed up by two more females, Lippy and Jicho, would go on to reach adulthood and form a breakaway pride of their own within the territory.


A Maasai boy monitoring the well-being of the cattle before enclosing them in their boma.
Photo Credit: BBC


Michael Kaelo from Mara Predator Conservation Programme states the factual anecdotes of human versus lions conflict on the basis of daily hazard and increasing demand of economic pressure.
Photo Credit: BBC

  The start of 2012 marked the beginning of a new era for the pride with the Musketeers as dominant males. With White Eye also gone, speared to death, Bibi became the grand dame, approaching her fourteenth year. Siena adopted the position of leading lioness, with Charm content in a more supportive role. She never intended to be a leader. That year, both lionesses produced new litters of three cubs each, both consisting of one male and two females. Siena gave birth to Red, Yaya and Dada in July 2012, and Charm followed suit a few months later with Tatu, Kito and Rembo (would be referred to as Kali and Cloudy Eye, respectively in Big Cat Tales in the years to come). Later on that year, Bibi also produced what turned out to be her final surviving offspring, the female known as Kabibi, and Mapema also gave birth to a daughter known as Chemi. Mapema remarkably happened to start breeding when she was under three-year-old. The breeding success of that year combined with the strong coalition of the Musketeers protecting the pride meant that the good times had returned. However, the lionesses who had split off were not so lucky. White Eye had vanished soon after, with some sources suggesting she could have been added to the list of casualties from spearing. Joy had moved to the Talek area of the Mara with her offspring but later, disappeared without a trace. The loss of Joy meant the Three Graces were now down to two but the sacrifice she made was not in vain, as Matajo would eventually become the dominant male of the Purungat Pride (and is most likely the father of Half-Tail, who is now preoccupying with the position of pride male in the Marsh Pride on his own along with his coalition partner Logol).

Bibi adhering her role as a pioneer of the pride.

Photo Credit: Rich Smith


Mob of tourists, gathered around the lions. For countries like Kenya, revenue generated by tourism is absolutely vital for the much necessary economic growth.

Photo Credit: BBC

  In 2014, after a couple of years of relative peace and prosperity, the Musketeers abandoned the Marsh Pride in order to explore new territories elsewhere, and eventually took over Paradise Pride, the Marsh lion's southern neighbours. BBC's trendsetting feature on the Marsh Pride in Dynasties significantly captures this harsh moments of their lives as it began its filming journey in June 2015. The departure of the Four Musketeers meant the pride was left without any dominant male. Therefore, the increased pressure and responsibility was on the shoulders of Siena and Charm particularly with the task of being mothers, providers and protectors. This was only made more difficult with new litters of cubs being born that year. Once again, Siena gave birth to one male and two females known as Topknot, Little Red and Spot. Meanwhile, Charm gave birth to a male known as Alan and a female known as Alanis. In mid of 2014, problems for the pride intensified when Siena was mortally gored by a buffalo during a hunt which left her with serious open wounds on her hindquarters. Vets responded quickly and treated Siena, who was then able to recover and rejoin the pride. Due to the severity of the injury, without this intervention it was unlikely that Siena would have survived. Late 2014 also saw Mapema, Sila, Kini, Lippy and Jicho break off from the pride along with the sub-adult daughter of Lippy known as Akili. They were now living much like splinter group, highlighting the issue of the optimum numbers of lionesses that a pride can behold.

Charm's son, Alan, before receiving treatment from the vets.

Photo Credit: BBC

   2015 turned out to be another turbulent year for the Marsh Pride, in which drastically changed the overall dynamics. The core pride was now made up of Siena and Charm, young adult males Red and Tatu and the five cubs — Little Red, Spot, Topknot, Alan and Alanis. Kito also remained and provided some much-needed help in terms of hunting and babysitting. Meanwhile, Bibi had formed a separate splinter group along with Yaya, Dada, Rembo, Kabibi and Chemi, the daughter of Mapema. Siena and Charm were both performing admirably to keep the pride functioning until Siena was injured again, this time as a result of a fight with rival lions. Her old wound reopened and she was forced to spend time on the sidelines whilst she recovered, with Charm stepping up and leading from the front in her absence, which she never intended. Reserved and calm, Charm was always content with her supportive role. 


A tragic farewell to Bibi!
Photo Credit: BBC
(Disclaimer: The scene may cause disturbance to the sensitive viewers, and to those who have been passionately engaging themselves for Bibi and these great felines, but here in this article, the predominant objective is to detextualise the myths on lions and feature them as real as anything else in nature. The viewers are requested to be considerate towards the aim of the rendering.)

  In December 2015, the Marsh Pride happened to take down livestock yet again, taking the opportunities of the night time grazing as it was granted by the government that year due to the increased lease of dry season The inevitable consequece was grimmer. The herdsmen retaliated by poisoning the carcass, and when the lions returned, eight of them were severely inflicted, something that we were having as a shabby flashback at the beginning of this explication. However, it happened to be a well intended poisoning incident at the end of the year which really amplified the struggles of the Marsh Pride. Bibi, Alan and Siena were victims of the horrific event which left the pride on the brink of collapse. The last trace of the Golden Four was now disappeared with the demise of Bibi, who was seventeen at that point, a senior by lion standard. With Siena now gone, the very survival of the pride depended on Charm.

Adieu, Alan!

Photo Credit: BBC

  Noticeably, just a few months after the killing of the famous Cecil the lion, the poisoning and death of three lions of the Marsh Pride had literally left wildlife lovers in shock - but conservationists say the tragedy was long in the making. Three lions, including Bibi, the matriarch of the pride featured in the long-running series, were poisoned earlier this month - allegedly by Maasai herdsmen in the reserve after the lions killed two of their cows. "Shocked - no, sad - hugely, this has been disaster waiting to happen for a very, very long time," said Jonathan Scott. He further added, "Anybody who knows Kenya and the Mara knows that we are facing serious issues about how to get the right balance between sustainable tourism, which does not impact overly on the environment, and acknowledging that tourism pays the bill for the wildlife."


Sammy Munene, the wildlife filmmaking guide and Moses Manduku, senior wildlife guide – the ethnic voices on the trail of recollecting the memories with Marsh lions, also asserting their universal relevance. 

Photo Credit: BBC

  Connecting the bigger scenario, reports have been published that African lions are facing extinction, with their population more than halving since 1980. A recent study by an international team of researchers found that lion populations in West, East and Central Africa were declining and were likely to halve again in the next twenty years. Currently, there are a little over 20,000 lions left in Africa. A major reason for this rapid decline is that lions are increasingly coming into conflict with humans. Maasai herdsmen would be sparing no lion that tried and eventually killed his livestock. Spearing, however, as the major connotation suggests, would destroy only one lion. In other words, it has to be treated as an one-to-one retaliation. The situations like the mass poisoning is but a haulocast. It is no different in the Maasai Mara reserve, renowned for its wildlife safaris, where lions have been driven out of their core territories by a surge in illegal livestock grazing by Masai herdsmen. Several lions in Maasai Mara have been driven out of their core territories by a surge in illegal grazing by Masai herdsmen. "There are these illegal invasions of cattle at nights into the reserve, which is a stronghold of the big cats," says Brian Jackman, who co-authored a book on the Marsh Pride, The Marsh Lions: Story of an African Pride with Scott. In Jackman's words, explicated to dw.com, "The herdsmen knowingly drive their animals in harm's way straight through the territories of lions and other predators. There are bound to be casualties."


Dr Paula Kahumbha has been a pioneering figure in raising mass campaign and combined protest against Kenya government, upholding the issue of illegal and unprecedented use of insecticides.
Photo Credit: BBC

  Maasai herdsmen are witnessing an increasing fragmentation of the rangelands they can graze their cattle on, due to the privatization of land and the creation of wildlife conservancies. Maasai landowners trade parts of their grazing grounds for conservation purposes in return for money. Anne Kent Taylor, a conservationist at the Maasai Mara, explicates that they often use this money to buy more cattle, instead of investing in banks and often end up with more cattle than their small plots can support. The herdsmen then illegally turn to the grazing grounds in the protected areas at night, when most predators are on the prowl: "The Maasai have been here for 300 years and before that other pastoralists roamed these areas for thousands of years," said Scott. "So pastoralism and wildlife can be relatively good bedfellows - but not at night, not if they come inside the reserve."

The decisive phase of community agreement in terms of preventing the tragic outcomes of killing the lions by means of retaliations.

Photo Credit: BBC

  Wildlife conservationists say that authorities should take immediate remedial measures to minimize animal casualties in the Maasai Mara reserve, which has long been a victim of local authorities' mismanagement and corruption. Jackman suggested that dedicated grazing lands should be carved out for the Maasai cattle - along the lines of conservancies - or that Maasai herdsmen should be persuaded to opt for smaller herds of much higher quality and encouraged to use feedlots and hay as alternatives to nomadic grazing. There is also a need to ban both the development of any more lodges and camps within the reserve and the expansion of existing ones. Conservationists say authorities must work harder to implement the ban on pesticides like carbofuran, which are used to kill a lot of lions and are readily available in neighboring countries: "There is a need for stricter enforcement of laws so that nobody feels they have to take their cattle into the reserve and then poison the lions," Philip Muruthi, the head of species protection at the African Wildlife Foundation asserts, adding, "The same people with aspirations to have more tourism are being selfish when they poison the lions, which are the main draw for tourists to the Masai Mara." Taylor, whose organization works with the Masai to fortify their livestock enclosures (or bomas) against predation, said the fortification has "really helped to keep both the livestock and the lions safer ... and the demand for us to protect bomas is endless.


The beholders of future like the students from Olare Orok School, and the son of David Naurori are now being entrusted with the responsibility of measuring and preserving the mutual and transactional relationship between humans and lions.

Photo Credit: BBC

  Jonathan Scott, who felt the death of the lions as a personal loss, hopes that the deaths will motivate all the stakeholders to act as soon as possible. "If these lions died and something good comes out of it then that would be enough … I am glad the issue has come to the fore because lions can speak louder on this issue than we individuals can," he said in one of the interviews. The community education and the endeavour of lion ambassadors seem to gain a better prospect in ceasing the conflict between the big predators and the Maasai community. The community agreement too seemed to pay off. Weakened and devastated, Alan, Charm's only son was mauled by buffaloes in the very night when he was receiving treatments from the vets. Perceiving the testimonials, the vets, led by Dr Campaign Limo from Kenya Wildlife  Service and Sheldrick Wildlife Trust and Felix Micheni, were with no option but to put Alan to rest by euthanasing. In these days, the Marsh Pride is living scatteredly, having missed the nuclear formation of the sisterhood. Wildlife filmmaking specialist guide Sammy Munene recapitulates the essence of Siena by experiencing the progeny of her like Yaya and Nusu Makia. Moses Manduku, the senior wildlife guide and others, concerned with the prospect of the Marsh Pride in the Mara, and the lions in the Africa, beautifully summarise the situation with the deeper conservation message of preserving some of the last threads of lion progeny. Still, we have time and scope. Given the abundance to live and thrive, backed up with the voice of sincere protest against any make-believe orientation of bravery and eye-washing statements, the lions' tale may bounce back to its solidified existence. 

Siena's progeny, lionesses like Yaya and Nusu Makia are now being rendered as the future pathmakers of the everlasting story of the Marsh Pride.

Photo Credit: BBC


A stark warning!

Credits

Sound Recordist: Tom Jessup

Dubbing Mixer: Joe Siddons

Dubbing Editor: James Spooner

Colourist: Daniel Gill

Online Editor: Edward Gibbs

BBC wishes to thank:

Governors' Camp, Porini Lion Camp, Tangulia Camp, Angela Scott, Marguerite Garrick, Stephanie Arne, Charlie Hamiton James, Jake Grieves Cook and Mohanjeet Bhar, Jayne Savage, Masai Cultural Arts, London, Mara Predator Conservation Programme, Kenya Birds of Prey Trust, Kenya Wildlife Trust, Dr Irene Amoke, Dr Nic Elliott, Kenya Wildlife Service, Olare Orok Community 

Director of Photography: Brendan Easton

Composer: Samuel Sim

Editors: Ian Garvin, David G Hill

Producers: Ceri Hubbard, Jonathan Skuse

Archive Producer: Tracey Li, Amirah Daley

Archive: Mutual of Omaha, 6 Medias, CGTN Africa, AP Archive/ CCTV+, ITV Archive, Fremantle, KTN News, 60 Minutes/ Veritone

Head of Production: John Bryans

Production Executive: Dulcie Arnold 

Production Managers: Arpana Paterson, Catherine Stringer

Production Coordinator: Laura Bunce

Edit Assistants: Greg Slater, Adam Bell

Commissing Editor: Sreya Biswas

Director: Pamela Gordon

A BBC STUDIOS NATURAL HISTORY PRODUCTION

PREVIOUS

LION: THE RISE AND FALL OF THE MARSH PRIDE, PART I: RECAPITULATING THE CHRONICLE

A RUSHING span of temporal texture may be assessed from this rendering since BBC's tremendous magnum opus, Lion: The Rise and Fall of the Marsh Pride has just been premiered in UK on 23 August 2022, Tuesday at 9:00 pm (local time of UK) on BBC Two and BBC iPlayer. It is to be available on USA through PBS on 14 September at 9:00 pm (local time of USA). Fairly, it is turning out to be quite an opportunity for me to be able to etch the highs and lows of this dramatic encapsulation. Thanks to one of my close acquaintances, who eventually got it preserved and therefore, grappling the series here in India turned out to be possible. Simon Thomsett, Director and Co-Founder of Kenya Birds of Prey Trust, alongside the vets from the Mara Predator Conservation Programme, assembled to recapitulate one of the great loses that had taken place in December 2015. Eight of the Marsh Pride members had been poisoned, and our search for the truth – yet again the truth about lions, trying to live amongst human beings – turns out to be accelerated. As a matter of fact, it has been a tremendous pleasure to think of the orientation of the Marsh Pride, being featured by BBC and other international broadcasters quite extensively with all their tenacity and tenderness. Dating back in 1980s, more precisely in 1981, we have a projection called Ambush at the Mara (narrated by Sir David Attenborough) and then, Mutual of Omaha's Wild Kingdoms, featuring the earliest tracts of this particular family of lions. In 1990, an hour-long documentary called Kali the Lion came on the air, filmed, produced and directed by Simon King, narrated by John King, highlighting the trials and tribulations of the pride, centering on Kali, one of the formidable lionesses in the making. But the most entrusted and prolonged chronicling was commenced when BBC's Natural History Unit came to film Big Cat Diary. For twelve long years, starting from 1996 to 2008, in all its nine series, the crew has extensively followed the hardships and good fortunes of the pride; they had witnessed the jeopardy in the heart and mind of the pride males, as well as the generations of handing down of crèch from mothers and aunts to their daughters and nieces. The recent years have not been a cakewalk for the pride life, and here we sincerely want to delve deep again. This is their story from the multiple autodigetic narrative angle, told by multiple individuals who followed them.




Jonathan Scott and Simon King, along with Jackson Ole Looseyia, have been the pioneering figures in following the intimate details of the pride life. Here, in this rendering, the trio of the presenters of Big Cat Live (2008) appear once again to recapitulate the old essence of the most celebrated lion pride.
Photo Credit: BBC

  Like Simon King, the famous naturalist and filmmaker asserted, when Big Cat Diary started, back in 1996, he was considering himself to be fortunate enough to eavesdrop in a massive continuation of family history that has been repeating its essence since millennia. Merging his concerns with the voice of Keith Scholey, producer of the first series of Big Cat Diary, King states the life of the lions to be so magnanimous that can rival the topsy-turvy of a Shakespearean plot. The shortage of the prey animals pushed the pride to the edge of all hardships in 1996 as they started to film the pride for its first ever series. The old pride males were typically nowhere to be seen. Two 1-year-old cubs, three adolescents – two males and a female, were on the verge of striking out of their natal zone. Although the female offspring should be embraced by their mother and aunts to stay as a part of the pride. Amidst of the hardships, during the first week of filming, two stunning adult male lions were seen patrolling in Marsh area. Just like the "missing piece of a jigsaw," they were initially suspected to be the pride members but soon after their arrival, it was confirmed that they did not have anything to do with the pride. The Golden Mane, as named by Simon King in series, immediately started to advance towards the females but, he received a hasty retreat from their end. Backed up by his coalition partner, most probably brother, Black Mane, he chased off all the females and adolescents of the pride, causing chaotic disruption in the aparent stability of the pride.


Jonathan Scott in early 1980s, rendering some of the first tracts of documentation on Marsh Pride
Photo Credit: BBC

  By the last week of filming of the opening series, the audiences were introduced to a lone lioness, who entered into the Marsh Pride's domain. She was sternly kicked out by the pride females. Perhaps, she was distantly related with the pride but in such a predicament of utmost nothingness of the stock, even the guests too, are to ousted so far as the lion society is concerned. At the end of the series, several lionesses were seen nurturing their newborns. It was quite easy to assess why they eventually ganged up to oust the big males earlier. The cubs were in utmost uncertainties due to the lack of prey base. On top of that, their fathers were nowhere on the horizon, opening up the ground for the constant vigilance of the nomadic males.


  Tinges of the anecdotes from Jonathan Scott's scrapbook on Big Cat Diary stars, devotedly illustrated by David Scott, his son.
Photo Credit: Jonathan Scott 

  The essential dynamics started to be intensified when Jonathan Scott caught up with them two years later in 1998. He has been living in Kenya since 1977, and following the intimate details of these great cats ever since his early phase of career here in the Mara as an avid naturalist. By then, the situation was completely changed with the Marsh Pride of lions. Four adult females- Bump Nose, Old Girl, Khali and Notch were still serving the core of  the pride, joined by one of their younger relative called Blondie. Scar, (erstwhile named as Brown Mane) a completely new male, had successfully taken over the pride, sharing power with Scruffy, his slightly less impressive looking coalition partner, giving the pride an ultimate shape of contentment and grace. Unlike the lack of assurance and a relatively nonchalant behaviour of the first series, the Marsh lions bounced back with all the promising layers of action. A whole new generation of eleven cubs were born, sired by Scar and Scruffy. The life of a dominant male is a tough one. Scruffy, the younger male, was almost certainly unrelated to his partner Scar. At the age or nearly six years, he never developed a thicker and darker mane. Here are two instances from Jonathan Scott's Stars of Big Cat Diary (2009), capturing the essence of the duo of this coalition:

  The males could not have looked more different. Scar was a magnificent animal, large-bodied and resplendent in a luxuriant ginger mane that was turning black on his chest. Scruffy was so called because of a mane that would remain sparse all his life rather than thickening and darkening with age.

  But looks can be deceiving. Scruffy was a warrior, braver and more combative than his regal companion, even though he was younger. Perhaps the two males had joined forces as nomads or been born to different lionesses within the same pride: the majority of male coalitions in the Mara consist of just two lions and in many instances they are not related. On his own a male struggles to take over and hold a pride. Together Scar and Scruffy had a future (p. 35).


Scar and Scruffy retreating from the debacle with the buffalo herd.
Photo Credit: BBC

  Scruffy, even at one point, proved his ultimate solidarity by chasing off a herd of buffaloes ("The younger male charges to the rescue. He has fought hard to win this territory and these cubs are his futures" – what a brilliant narration, rendered in the series!) that were annoying one of the pride females who had three tiny cubs in the thickets while Scar, the typical "Glamour Boy", sought a refuge. They would have to go on with such a strong bonding so that their offspring would survive. The cubs were supremely thriving with the advantages of the situations. The brutal anagnorisis turned up on the scene when a herd of buffalo created the havoc in the nursery, and Jonathan Scott summarises the situation in the following excerpt:

It is the noise that I remember most, the lionesses' deep, rumbles of threat and fear, mixed with the grunts and throaty clicks of the buffaloes as they try to destroy the cubs. The buffaloes have smelt the lions among the croton thickets – now they can see them. They thunder forward, scattering the cats in all directions. The lionesses try to divert the onrush – they have seen all this before – attempting to draw the bulls away as the cubs panic and run into the open, terrified. From the buffaloes' point of view this is all about 'mobbing' the lions, trying to force them to move so they can eat and drink in peace. Killing lion cubs – even adult at times – helps to underline to even the most powerful of predators that buffaloes are not to be trifled with: a potent form o anti-predator behaviour (Stars of Big Cat Diary, p. 41).

Contrary to the magnanimity of the disruption, only one cub died in that trampling massacre. As Scott narrates here in the programme, "If you wanted to be led into battle, you would make the biggest mistake of your life if you went with the guy with the big brown mane over the scruffy one." He indeed was the real deal. If it was not for him, we certainly might have expected a worse scenario in the humdrums, because "when the chips are down, Scar was absolutely rubbish."


Every dawn in the Mara designates the possibility of new commencement amidst the harsh realities of life. 
Photo Credit: BBC

  It was certainly an acid test for the lionesses of the Marsh Pride to protect their youngsters from the enormous herd of buffalo a couple of years earier. As we observed the scene, it was quite obvious to expect the nemesis would dawn upon a large proportion of cubs. Quite amazingly, ten cubs survived that attack. And now in the progression of the third series of Big Cat Diary in 2000, they turned out to be the boisterous constellation of adolescents: "Despite facing seemingly impossible odds, at least eight of those cubs have survived and now they are fit and rather typical adolescents," says Simon King. "Though they may look laid back and relaxed, they've experienced a bit of a family upheaval recently. The young males especially have been pushed out of their traditional home by two adult males. Looks like they have every intention of taking over the territory." In 1999, Scruffy coupled up with a lioness from a neighbouring pride and they killed a cow, resulting in the grimmest catastrophe of being speared by a Maasai herdsman. This opened the door for the new invading males. The invaders were fondly known as the Blonde Males, and it was estimated that they belonged to the Topi Plains Pride, the southern neighbours of the Marsh Pride. Any takeover is quite a natural orientation of pushing forward the gene pools and for these new males, the Marsh turned out to be a melting pot of opportunities. With Scruffy gone, Scar was left alone to protect the pride. Furthermore, two of the older generation females (filmed in 1998) too were killed by Maasai, a consequence of taking down livestocks. Such a blow happened to be a terrible blot on the stability and the prosperity of the pride since in lions' domain, success is counted on the basis of numbers. The sub-adults would eventually proceed as the core of the pride but, that was still a long way to achieve. At the age of two years, they were just flexing their muscles. The eight surviving sub-adults – six females and two males, were joined by three slightly younger cubs (two males and one female) who belonged to Bump Nose. On thier trail to quench new domains for themselves, the Topi Plains males were a formidable duo to be reckoned with. They already had a few cubs in their erstwhile domain but, since the cubs were nearly a year old and there was quite a lesser threat of being killed by other lions, their fathers could be footloose and fancy free:

The blond males were in peak condition. Both were fully grown, though one was older and bigger-bodied than his companion. If they were related they were probably born to different mothers in the same pride, or, like Scruffy and Scar, they might be former nomads who had joined forces in order to win a territory. The Topi Plains males not only looked different, they acted differently. The older, larger male was always first to initiate a foray into Marsh Lion territory, displaying the confidence of a lion who had done this kind of thing before. He was the one who wanted to push on whenever he saw that some of the Marsh Lions were in residence, while the younger male was quick to turn back, long before danger threatened. This difference in temperament may have been due simply to the fact that the younger male was smaller and less experienced than his companion. But as we had already seen with Scruffy and Scar, being the biggest lion doesn't necessarily mean that you will be more willing to take risks or be tougher and more aggressive. It was fascinating to watch how the younger of the two males eventually grew to equal his companion in size, and with the advantage of youth began to hold his own and even dominate him if it came to a fight over an oestrus female. But that wouldn't happen for another year yet (Big Cat Diary Lion, p. 56).

Blondie and Simba on the mission of flexing their muscles in the Marsh territory. 
Photo Credit: BBC

  Scar stood out as a remarkably precarious epicentre of the entire narrative. Intimidated and nervous, he could do nothing against this massive flow of young blood. For the dominant male lions, life is always a race against time. The Blonde Males started to proclaim their guts and, had shown their supremacy to everyone by killing a hyena in the Marsh, rendering an immediate effect on the whole community. Though this grotesque fate was never delivered in details on Big Cat Diary, here in this latest rendering, the audiences are indeed delivered with the reality of tooth and claw as the males accomplished the assassination, and reaffirmed their bonding in their "kitten-like floppy cuddles." When the invading nomads step in any lion territory, their attempt to kill any of the resident hyenas is but the indication of their bold assertion that they mean business. For a male lion, who is typically overstaying in his domain after pride life is a real challenge and obviously for Scar, the psychodynamics happened to be drastically changed, shattered. Scar's sons, the young males in the pride should have been chased away by him, in an absolute state of flux, they started to behave like allies with their father. Clearly, Scar needed backup, possibly from anywhere. He was feeling increasingly unsettled even within his own territory, and the essential psychomotor in him got diminished. Simon King brilliantly captures the moment when he recapitulates the Blonde Males assassination of hyenas: "Now, would Scar have come across the carcass of the hyena that they killed? Smell the saliva, and the urine and the scent of two big males? Maybe, maybe not. If he did, what a statement! What a calling cart to say, 'Mister, we're in, and this is what we do.'"


Scar with Kali and her new cubs, and Bibi, relaxing on the flip side of the story.
Photo Credit: Jonathan and Angela Scott 

  Scar had taken over the pride in 1997 or 1998 and just two years later, his leadership was found in quite a shaky predicament. He had to rely on his offspring for meal and, was typically hanging out with a bleak hope of further a pioneering the pride, though he never was such. As Bump Nose moved her three younger cubs into Bila Shaka Lugga (meaning "without fail", bestowed for a high success rate of raising youngsters), the eight sub-adults followed. Occasionally, they met Kali and her four small cubs of 12-week-old. Although Kali's daughter (later named Bibi) was warmly welcomed and often devoted herself in the duty of babysitting, her son received a less warm greeting. The two smaller male cubs of Bump Nose were the favourite ones of Kali's cubs, who used to scamper around them. Quite interestingly, the innate familial moments were not featured in the series. Rather, the show concentrated on the sub-adults' predicament – a bunch of young lions, trying to find their feet.


The Marsh Pride adolescents in an apparently contented frame amidst the recurring flux.
Photo Credit: BBC

  Scar, however, only felt his prior position as a family man only at the points of snatching kills from the younger lions. Many male lions die a dreadful death at the hands of rival coalitions or loss their lives to hyenas. The crew never experienced a full-on scrap between him and the invaders. He was quite fortunate enough to cling on to Marsh territory for a longer while. In the meantime, several other lions invaded the pride's home range, making most of the opportunities. Some of the invading females started to hunt down confidently in the Marsh but, killing in other's domain does not certify one to be a territory holder. The future of the pride remained anything but certain.


Jonathan Scott's scrapbook page on Blondie and Simba.
Photo Credit: Jonathan Scott 

  Though 2002 rendered itself to be a flourishing state of affair for the pride, 2003 was indeed yet another year of transition (a chronological mistake can be traced out in the programme since the year had been narrated here as 2004, the very year when 2003's Big Cat Week was on air), not only for the Big Cat Diary for the change of its format, but also for the predicaments of the Marsh Pride of lions. Simon, along with a second cameraman Warwick Sloss, was back on the trail of the old friends of Big Cat, expressing in Programme 1:

This is rush hour Masai Mara style. Everybody is filing home after a hard night's work, but of course the commters here are lions. What an astonishing show of feline flesh. This is hundreds of kilos of lions just filing pass the cars. There are star pride of lions, known as the Marsh Pride and now, one of the biggest lion prides I have ever seen. There are twenty nine animals in a single extended family.


Kali, the grand matriarch leading the one-year-olds on their trail.
Photo Credit: BBC


One of the Marsh Pride adolescents trying to examine the presence of the car in its turf.
Photo Credit: BBC

But looks can be deceiving. Blondie, the older and larger male of the Blonde Males coalition who had taken over the pride three and a half years ago, was killed by a buffalo in May 2003, leaving his younger companion Simba alone to protect the pride and the domain: "The pride had attacked a cantankerous old bull at night near the spring that is the perennial lifeblood of Musiara Marsh, the lions' dry-season hunting ground. Though they eventually subdued him, they were to pay a heavy price," mentions Jonathan Scott. And, as we have seen with Scar, now Simba was left as the only dominant male of the pride. The success in lion society in terms of preoccupation of territory is counted on the basis of number. Scruffy was killed in December 1999 and since then, the ground was open for the invading males and, being forced to rely on his own offspring, Scar could do nothing in such a vulnerable juncture. Just as Simba and Blondie had estimated themselves as the new pride males, the history was about to be repeated. It is the recurring natural phenomenon that has been repeating itself as an age old process since time immemorial. The spotters had already reported that a pair of young ambitious male lions were seen prowling at the fringes of Marsh territory, looking for trouble. They could easily posit themselves as a challenge to Simba, prompting him to lay his life on the line.


Simba, resting in one of his favourite places in Musiara Marsh. After being singled out, controlling the prideland turned out to be increasingly difficult for him.
Photo Credit: BBC

  However, the pride's swelling was a significant impression, caused by the proper nurturance and successful survival of the cubs. In 2002, Kali along with two younger generations females- White Eye and Red (Mama Lugga) had a total of ten cubs in crèch. The addition of six younger cubs (belonging to Lispy and Split Nose, the Blonde Sisters) made it up to sixteen boisterous cubs- ten of them were about a year old and the rest of the six were nearly nine-month-old. But, the tragedy was lurking behind the curtain of the picture of contentment. Bibi, this time, stood out as a remarkable individual. She had given birth to the cubs in August 2003, before the filming was started. She was about five-year-old, and was one of the cubs who were born and survived the buffalo attack in 1998. Jonathan Scott aptly captures her essence to be a beholder of "sweetness" about her character. Having failed to conceive at the same time as her pride mates, she turned out to be an outcast for the time being. It was reported that there were three cubs in the litter but when the filming started a month later in September, they were down to two – one male and a female. Prior to delve deep into Bibi's fortune, let us turn the pages from the memoir:

Angie and I had spot spot for Bibi. We watched her in early 2000 when her mother Kali gave birth to a new litter. At one-and-and-half-years old, Bibi was a gentle lioness who loved to play with the cubs as much as they did with her; she was fascinated by her younger half-brothers and sisters and would spend hours in their company, fine-tuning her maternal instincts in the process (Stars of Big Cat Diary, p. 100).


Ostracized by the pride, it was a real deal for Bibi to manage to get hold on all her motherly responsibilities. 
Photo Credit: BBC

  The lionesses often shun the new mother with much younger cubs while there are bigger cubs in the constellation: "Bibi had very, very small cubs, so she had conceived out of sync. She's been caught in an awkward situation, and she's just irrelevant to the rest of the pride. She had taken herself off to give birth and to have these tiddlers. It was [anthropomorphically] like to have a one-year-old whilst all your mates have got eighteen-year-olds." Knowingly, Bibi was keeping a healthy distance from the rough and tumble of the pride life. But, she was not a complete outcast. Simon discovers in the series that Bibi was "shadowing the rest of the pride, never getting too close — two kilometres or so — within the sight and the smell of the rest of the lions." There was good reason to follow the pride mates, and to maintain a safe proximity. The cubs' father, Simba was having his own problems. The two new males had already stepped in the Marsh territory. As Simon King predicted in the beginning, the trouble was brewing. As seen in Programme 1 of 2003's Big Cat Week, the two males had already launched an ambush to overthrow Simba:

At the key moments in the action it is critical everyone stays calm; get it wrong and you either miss the shot or disturb the animals and the moment fades. As the nomads approached Simba, Dave Breed was keen to move the camera vehicle to get a better angle for Simon — it was risky but if it paid off everyone would be more than happy. Simon was trying to film and commentate at the same time, no easy matter when you need to keep your eye to the viewfinder, gather your thoughts and sound coherent. But Dave had to break in. Simon agreed: 'Interrupt me whenever.' Dave moved hurriedly — it was his call and the right one (Stars of Big Cat Diary, p. 94).


The invading males closing their gap on Simba.
Photo Credit: BBC

And the chase began. Simba, though had age and experience on his side, wisely retreated – "Go Simba, run boy, run!" Nobody really wants to get injured in the clash. But, it was just an acid test in the beginning. Serious take overs do require a lot of time. When Simba and Blondie stepped in the Marsh, they themselves took a significant amount of time to be finally estimated males. Everyone would have expected a valorous gladiatorship from Simba, who would be pushing his lucks to oust the males, but lions want to live as any other on earth, and far from the make-beleive miliue of bravado, they tend to seek the refuge. These two outsiders were in their prime. The male with thicker and darker mane- nearly four-and-a-half-year old (who is often mistakenly identified as Notch, the next dominant male after Simba) was profoundly confident to proclaim his presence in other lions' territory- an act of ultimate provocation. His companion- about three-and-a-half-year old was less sure of himself and, stepped into attack only on the basis of dependence on his elder companion.


Perils on the corner. 
Photo Credit: BBC

  It was not at all an easy task for a single lioness to raise her cubs completely on her own. To flourish, lions have to depend on the alliance with their relatives and family members. Now, Bibi and her cubs were now completely exposed to the grave danger. Although, the males eventually lost interest and Bibi was successful to keep them away by her exaggerated snarls and grunts, and by always staying close to the cubs, keeping an eye on the inavders. Her cubs were spared for then at least. Meanwhile, the pride seemed to be doing well. Simba, their lone guardian was reported to be with them. In the Mara, it is massively difficult for a single male lion to hold on to the power. There are always some bands of nomadic males or others. Simba's only hope was clinging on his regular attachment with the rest of the pride. In their tenure, he and his older chump had done really well and, a brand new generation of cubs were flourishing there. The pride proved quite an incredible range of hunting success by grabbing a buffalo cow- having Kali, the oldest and the experienced one holding the position of muzzle suffocation, a "kiss of death"; and Kijana, Simba's grown-up male heir, adding some much-needed power to subdue it. Kijana, at the age of two-and-a-half-year-old, was able to stay within the pride and in the absense of a profound protector, sparing an extra muscle to Simba.


Simon King expressing his concerns for the predicament of Simba in Big Cat Week 2003.
Photo Credit: BBC


A martial eagle closely investigating Bibi's den at the fig tree, scanning the prospect of snatching one of her cubs, which was failed.
Photo Credit: BBC

  Towards the end of the series, having some trouble posited by the elephants, the pride moved straight in the area where Bibi was staying with her cubs. The one-year-olds were keen enough to try to identify the cubs- whether or not they should be accepting them in the heart of the pride. At the end, the cubs were spared. Bibi was nowhere to be seen at the moment of harassment. She shifted herself with the expectation of having spared her cubs in her absense. The pride lost interest. The cubs moved away and was eventually reintegrated with their mother. Their chance of being seriously harmed was just reduced after having a rough introduction with the rest of the pride. At the end, in Programme 5, the Marsh Pride showed off an extraordinary scene by grabbing three wildebeest in a row, assuring a satisfying meal for the wholeness of the family. Bibi's cubs seemed to be doing well and apartmently safe; and Simba, their father, had remarkably fulfilled his commitment as a pride male and a protector despite all seemingly odds. It was a real sigh of relief to see him at least in unharmed condition. But those two males, or any new group of invaders were expected to be there very soon. Whether Simba would stand and fight, or would he eventually run for his life was still to be seen.


The Golden Four: Red, Bibi, Lispy and White Eye
Photo Credit: Jonathan and Angela Scott 

  Now in 2005, the Marsh Pride was blissed to have their successful core constellation of four adult females, often referred as to the Golden Four – White Eye, Red (Mama Lugga), Lispy and Bibi – all from the litter, born in 1998, the survivors from the debacle with the buffaloes, filmed from the second series of Big Cat Diary as the tiny cubs. They were to carry forward the legacy of the Marsh lions with eight cubs – five males and three females (who would have to gone on to be the most shining stars in the chronicle of the Marsh Pride). But above all, it all happened with the strong protective shield, conjured up by Notch and his coalition partner, the two new pride males. Bibi was eventually reintegrated with the pride but, her two cubs soon went missing, probably perished by the new males.


Notch as the newly estimated pride male in 2005.
Photo Credit: BBC

  The eight cubs were ranging from three to ten-month-old and were born between January to June 2005. The youngest members of the pride was Moja, a tiny female cub (later named Charm) along with her brother and belonged to either Bibi or Lispy. To add more about the sub-adults filmed in the 2003 series, they all fled along with Kijana and the two female cubs (named Maridadi and Young Girl) after the rupture created by the opponents of Simba, their father and protector. They were able enough to put a healthy distance between them and the invading males. Nsu Nsu, another female from the 1998's crèch, seemed to act like a bridge up between the new males and the core pride but soon she too got chased off and later on, disappeared. Simba was found at Rhino Ridge, mortally wounder by some young adversaries and vanished. Now, after a natural cycle of restructuring and re-framing, the Marsh Pride represented a true picture of contentment.


The pride of contentment, with three of the Golden Four and the mob of cubs, sired by Notch and his coalition partner. 
Photo Credit: Jonathan and Angela Scott 

  But this scene of contentment might be a bit misleading. 2005 was turning out to be a strange reproduction of the situation of 2003. Like Simba was left alone to fend for himself and the pride after the death of his elder companion, Blondie, Notch too faced a vulnerable predicament. He did have a coalition partner along with him, often referred to as Light Mane. A few months before the commencement of the filming of Big Cat Week 2005, his companion was attacked and killed by three adult males from Paradise Plain area. The lions can count the number of the presence of their kinds by differentiating the roars. A group of scientists, in order to testify the hypotheses, set up amplifier to reproduce the sound of lions' roar, hearing which, three males came to investigate and eventually Notch's partner had a nasty altercation with them, having the most fatal consequence, losing his life. The scientists never repeated such procedure of survey since these are preoccupied with the chance of getting lions killed at times. The cubs that were born during the aforementioned period, were fathered by both Notch and his coalition companion, so it is safe to assert that not the whole bunch, but some of them were sired by Notch while the others were either his nephews and nieces or merely some young relatives because we do not know whether Notch's companion was bearing a blood relationship with Notch or not. In the early days in Mara, at least fifty per cent of the lion pride were accompanied by two pride males and forty-five per cent of them were not having a direct relationship with each other. The seemed to have form a coalition while roaming in their bachelorhood. Same might be the scenario with Notch and his mate.


Old days of Big Cat Week 2005, featuring Simon King as the presenter of the lions' tale.
Photo Credit: Xavier van der Veken

  Simon King had a gut feeling that at any moment, the apparent piece of the Marsh Pride might have been shattered since some of the spotters had reported that a pair of two handsome young male lions were located nearby, looking for trouble and, a fight could take place any time during this Big Cat Week. His assumption came true. Towards the end of Programme 1 of the 2005 series (again chronologically slipped out as 2006 in the programme), Notch was found confronting two young males lions of nearly three-and-q-half-years-old. They were not still fully ready to proclaim a domain on their own. Having an altercation with a full-grown pride male like Notch could also have serious consequences. He was alone, but determined to stand his ground. The invaders, on the other hand, though lacked experience and tenacity, were more in number. The table could certainly be turned on the solo fighter, Notch. A sense of brooding danger was built up gradually. But, the Marsh Pride male was found safe and unharmed the next day. Furthermore, to add a twist in the plot, he was being accompanied by a single young lioness (later named Tamu, the star of the next series). Whether the strange female was a part of the Marsh Pride or not, was anyone's guess at the moment. What was inevitable was that Notch was supposed to make most of the opportunities of having an affair with his new girlfriend. After a number of familial harassments, the Marsh Pride with Notch, the pride male, seemed to acquire a fragment of piece on the block. They seemed to be satisfied with the hunting opportunities presented to them and, their commitment of motherhood was a thing to be reckoned with. Notch, after losing his coalition partner, seemed to keep a low profile and used to hang on with the adult females. At one occasion, Red and the rest of the pride were seen killing a wildebeest and when Notch approached the kill, it was quote uncanny of a male lion. Simon empathically reassures:

Here comes the big fellow, slowly. Interesting – Notch has definitely lost something of his power in this society. He's right at the back of the group. We expect the adult male in the pride to muscle in and to take the intended lion's share. When he used to be with his buddy, the two of them would be charging in, and nobody would get in their way. Now, it's almost as if he's too nervous to eat! Notch, you really do need to get some of your confidence back. If those younger, bolder male lions turn up, which at some point, they must definitely will, you're going to be beaten up, driven out and, have your family scattered and killed!  (Emphasis added)


White Eye and Bibi on the prowl with the cubs.
Photo Credit: BBC

Keeping a seemingly low profile and roaring in a limited range might have helped Notch to get a safeguarding but, as the series drew to an end, they all seemed contented and the stability of the family looked apparently safe. It was really heartening to recall a rainy play session of the eight lion cubs, absolutely drenched, and playing with full of intensity — "It's really is the kids going off and playing in the street together. Not from the same litter, not from the same mother but, very, very close" — the essential kernel of a pride to succeed. What strikingly astonishes us is Simon's firm assurance on the pragmatism of the pride after the earlier bunch of the older cubs were scattered, and Bibi's two offspring were likely killed by Notch and his coalition partner. The four lionesses had their own losses in terms of letting the cubs away from the core of the pride, but they would have to go on with it, that is the pragmatism of lion-life.


One of the rare frames of Light Mane, Notch's coalition partner, who eventually got killed by three males from Paradise Plain.
Photo Credit: Julian Aizpurvs


Credits

Sound Recordist: Tom Jessup

Dubbing Mixer: Joe Siddons

Dubbing Editor: James Spooner

Colourist: Daniel Gill

Online Editor: Edward Gibbs

BBC wishes to thank:

Governors' Camp, Porini Lion Camp, Tangulia Camp, Angela Scott, Marguerite Garrick, Stephanie Arne, Charlie Hamiton James, Jake Grieves Cook and Mohanjeet Bhar, Jayne Savage, Masai Cultural Arts, London, Mara Predator Conservation Programme, Kenya Birds of Prey Trust, Kenya Wildlife Trust, Dr Irene Amoke, Dr Nic Elliott, Kenya Wildlife Service, Olare Orok Community 

Director of Photography: Brendan Easton

Composer: Samuel Sim

Editors: Ian Garvin, David G Hill

Producers: Ceri Hubbard, Jonathan Skuse

Archive Producer: Tracey Li, Amirah Daley

Archive: Mutual of Omaha, 6 Medias, CGTN Africa, AP Archive/ CCTV+, ITV Archive, Fremantle, KTN News, 60 Minutes/ Veritone

Head of Production: John Bryans

Production Executive: Dulcie Arnold 

Production Managers: Arpana Paterson, Catherine Stringer

Production Coordinator: Laura Bunce

Edit Assistants: Greg Slater, Adam Bell

Commissioning Editor: Sreya Biswas

Director: Pamela Gordon

A BBC STUDIOS NATURAL HISTORY PRODUCTION